在鼎盛时期的奥约帝国,权势滔天的首相加甚至凌驾于自己拥立的国王之上,但最终却死于他自己的血亲之手
This terrific coming-of-age film tells a story of growing up largely without parents, of the complex world of becoming an adult when the adults aren’t there. It’s the story of Flavia, autonomous and a bit uncouth; Flavia, whose mother works as a carer in Italy, her father on a construction site. She’s adopted a certain sarcasm she uses even with Luca, with whom she flirts in a cool way; the attraction is strong. Luca’s parents aren’t there either and his grandmother is frail, meaning he is the one more or less taking care of his sister Tina – who brings home two more kids with her one day. Fears of commitment and emotional blocks start to dissolve and, like in an adolescent novel, a self-chosen alternative family forms almost in passing, where living in freedom, critical relationships and taking care of one another are a given. Carried by Andrei Butică’s precise, yet loose-limbed camerawork and atmospheric direction inspired by Pialat and Rohmer, the adolescent ensemble takes on responsibility – and gets in the driving seat. Whether visiting caves in the forest or everyday life in a prefab block: their intelligence and vigour are delightful, the dynamics of their shared bonds subtle.
阿尔茨海默病逐渐剥夺了一位女性表达自我的能力,也严重影响了她与他人的沟通。她的丈夫与女儿竭力为她谋求最大福祉——在爱与关怀、守护与自主之间的脆弱边界中艰难探寻平衡。
影片以当代为背景,讲述了一个有抱负的男青年在个人事业发展中历经沧桑不气馁不妥协,最终与两位好友共同走向未来的故事。
以当代社会手机普及为背景,聚焦四个教育方式截然不同的家庭,通过展现孩子与手机的纠葛及家庭矛盾,揭示过度依赖手机对儿童的危害与背后的教育缺失,呼吁家长重视孩子身心健康,给予有效陪伴。