飞越绝境

以当代社会手机普及为背景，聚焦四个教育方式截然不同的家庭，通过展现孩子与手机的纠葛及家庭矛盾，揭示过度依赖手机对儿童的危害与背后的教育缺失，呼吁家长重视孩子身心健康，给予有效陪伴。

玛丽-露·方丹（维尔日妮·埃菲拉 饰）是巴黎郊区一家养老院的院长，她不顾阻力，强推名为“人性照护法”的人道主义护理方法。直至遇到癌症晚期的日本剧作家森崎真理（冈本多绪 饰）。两位女性因共同的价值观，以及彼此对对方语言的深切眷恋而走到一起，展开了一段深厚的友谊，这段关系不仅改变了她们对生命的看法，也悄然改变了整个养老机构。

2017年，汪正翔（刘以豪 饰）在一次葬礼上与高中的死党们再度重聚，大家追忆着学生时代一起“犯二”的青葱岁月。谁知在参加完葬礼后，正翔经历了一场奇异事件，醒来后的他发现自己回到了高中毕业前的三天，与曾经暗恋的少女李恩佩（宋芸桦 饰）重逢，二人交往的画面也一幕幕浮现。原来性格大大咧咧的恩佩在毕业前的一次选秀中脱颖而出远赴日本追梦，正翔无奈失去了告白的机会……为了改变命运，来自未来的正翔决定打乱恩佩的计划，为了“搅黄”选秀俨然变成了“麻烦制造者”，做出了一堆令人哭笑不得的糗事，而他与恩佩的关系也在制造麻烦中发生了变化。

故事围绕三个本与犯罪无缘的女性展开：一位是突然得知丈夫挪用公款并被解雇、育有两个孩子的母亲和歌子（有村架纯 饰）；一位是深陷奖学金还款压力、负债600万日元的研究员清惠（黑木华 饰）；还有一位则是身无分文的未婚准妈妈麻由（南沙良 饰）。她们在新加坡偶然相遇，在危险的黄金走私过程中建立起深厚的情感羁绊，并试图以此夺回金钱与自由，开启一场逆袭人生的博弈。

This terrific coming-of-age film tells a story of growing up largely without parents, of the complex world of becoming an adult when the adults aren’t there. It’s the story of Flavia, autonomous and a bit uncouth; Flavia, whose mother works as a carer in Italy, her father on a construction site. She’s adopted a certain sarcasm she uses even with Luca, with whom she flirts in a cool way; the attraction is strong. Luca’s parents aren’t there either and his grandmother is frail, meaning he is the one more or less taking care of his sister Tina – who brings home two more kids with her one day. Fears of commitment and emotional blocks start to dissolve and, like in an adolescent novel, a self-chosen alternative family forms almost in passing, where living in freedom, critical relationships and taking care of one another are a given. Carried by Andrei Butică’s precise, yet loose-limbed camerawork and atmospheric direction inspired by Pialat and Rohmer, the adolescent ensemble takes on responsibility – and gets in the driving seat. Whether visiting caves in the forest or everyday life in a prefab block: their intelligence and vigour are delightful, the dynamics of their shared bonds subtle.

阿尔茨海默病逐渐剥夺了一位女性表达自我的能力，也严重影响了她与他人的沟通。她的丈夫与女儿竭力为她谋求最大福祉——在爱与关怀、守护与自主之间的脆弱边界中艰难探寻平衡。

Elias dreams of a family. Christian is happy about their free existence in an open relationship, where they have time and money to travel, buy expensive designer furniture and love each other. Elias has been able to keep his longing at bay for a long time, but when he starts his new job as a psychologist at a school home, it is as if the burden is overflowing. He must face the fact that a life without a human responsibility for others than himself can never be a happy life for him.