落魄的徵信社狗仔，拍到政治明星的緋聞照片。以為是得以翻身的救贖，卻捲入黑白兩道追殺角力。
This terrific coming-of-age film tells a story of growing up largely without parents, of the complex world of becoming an adult when the adults aren’t there. It’s the story of Flavia, autonomous and a bit uncouth; Flavia, whose mother works as a carer in Italy, her father on a construction site. She’s adopted a certain sarcasm she uses even with Luca, with whom she flirts in a cool way; the attraction is strong. Luca’s parents aren’t there either and his grandmother is frail, meaning he is the one more or less taking care of his sister Tina – who brings home two more kids with her one day. Fears of commitment and emotional blocks start to dissolve and, like in an adolescent novel, a self-chosen alternative family forms almost in passing, where living in freedom, critical relationships and taking care of one another are a given. Carried by Andrei Butică’s precise, yet loose-limbed camerawork and atmospheric direction inspired by Pialat and Rohmer, the adolescent ensemble takes on responsibility – and gets in the driving seat. Whether visiting caves in the forest or everyday life in a prefab block: their intelligence and vigour are delightful, the dynamics of their shared bonds subtle.
1978年，青年摄影师优一因电台播出的性手枪乐队音乐而被震撼，决心离开家乡前往东京追寻摇滚精神。他在小型摇滚杂志《Rockin’ Doll》任职期间，被带到一间地下Live House，首次目睹由主唱桃领衔的乐队TOKAGE的猛烈演出，并疯狂按下快门。随着优一被正式邀请拍摄演出，他与成员们逐渐建立深厚情谊。在时代浪潮中，TOKAGE的音乐迅速点燃年轻人的血液，而优一也在镜头后纪录着这场改变日本摇滚史的革命。 本片改编自地引雄一的同名自传随笔。
昔日乡村音乐巨星Misty Jones（杰西卡·查斯坦 饰）重出江湖，调查她的侄女，一位冉冉升起的乡村音乐新星的失踪案。她必须面对自己的过往以及纳什维尔阴暗的地下世界。Misty的调查揭开了这座城市不为人知的黑暗面，在那里，包括她自己在内，每个人都并非表面看起来那样简单。
