此次的作品是2022年4月之后在NHK播出的SP剧、第二季、衍生剧等人气系列的电影化。由于意想不到的事情而“无法说谎”的不动产营业员永濑财地（山下智久 饰）和后辈职员、“顾客第一生命”的月下咲良（福原遥 饰）两人，他们是卖房人，并且寻求帮助。以人为对象，以正直和诚实为武器，在千山千海的不动产业界苦战恶斗的社会派喜剧。 房地产行业被称为“千言万语中只有三句真话”。任性的顾客要求、怪癖的资产家大师们、接二连三地发生的不动产纠纷、以及与竞争对手不动产公司的激烈斗争，主人公·永濑以不说谎的诚实营业面对这些问题的活跃表现，将成为一大看点。
玛丽-露·方丹（维尔日妮·埃菲拉 饰）是巴黎郊区一家养老院的院长，她不顾阻力，强推名为“人性照护法”的人道主义护理方法。直至遇到癌症晚期的日本剧作家森崎真理（冈本多绪 饰）。两位女性因共同的价值观，以及彼此对对方语言的深切眷恋而走到一起，展开了一段深厚的友谊，这段关系不仅改变了她们对生命的看法，也悄然改变了整个养老机构。
This terrific coming-of-age film tells a story of growing up largely without parents, of the complex world of becoming an adult when the adults aren’t there. It’s the story of Flavia, autonomous and a bit uncouth; Flavia, whose mother works as a carer in Italy, her father on a construction site. She’s adopted a certain sarcasm she uses even with Luca, with whom she flirts in a cool way; the attraction is strong. Luca’s parents aren’t there either and his grandmother is frail, meaning he is the one more or less taking care of his sister Tina – who brings home two more kids with her one day. Fears of commitment and emotional blocks start to dissolve and, like in an adolescent novel, a self-chosen alternative family forms almost in passing, where living in freedom, critical relationships and taking care of one another are a given. Carried by Andrei Butică’s precise, yet loose-limbed camerawork and atmospheric direction inspired by Pialat and Rohmer, the adolescent ensemble takes on responsibility – and gets in the driving seat. Whether visiting caves in the forest or everyday life in a prefab block: their intelligence and vigour are delightful, the dynamics of their shared bonds subtle.
阿尔茨海默病逐渐剥夺了一位女性表达自我的能力，也严重影响了她与他人的沟通。她的丈夫与女儿竭力为她谋求最大福祉——在爱与关怀、守护与自主之间的脆弱边界中艰难探寻平衡。
以当代社会手机普及为背景，聚焦四个教育方式截然不同的家庭，通过展现孩子与手机的纠葛及家庭矛盾，揭示过度依赖手机对儿童的危害与背后的教育缺失，呼吁家长重视孩子身心健康，给予有效陪伴。
