翔揸刘滩之潮潮的吹

简介：黑帮大哥雷豹的女朋友出轨小混混刘星星，为了保命，刘星星策划了一出戏中戏。全片以黑色幽默为主打，其中不乏精彩的飙车情景，武打情景，集合了爱情，热血，武打等多种元素。 刘星星找来他最好的朋友，大圈小圈，与江皓宇四人决定决定不再躲藏 于是四人继续假戏真唱，约出雷豹拿着早已准备好石川留下的证据偏雷豹出现谈判。四人，通过石川留下的优盘偏出雷豹说出犯罪记录。同时大圈小圈通过在剧组多年的灯光和特效经验制造警察包围厂房的假象。四人合力将雷豹绳之以法交给警方。小人物大故事，故事大结局反转。

简介：描写一个火车司机在党的教育下，克服技术上的困难，终于战胜官僚主义和保守思想，在艰巨的条件下，创造了满载超轴的记录，完成了国家的运输任务。

简介：Instead of chasing boys on the beach with her friends, recent college grad Dora finds herself caring for her reclusive Great Aunt in snowy upstate New York. When the imaginative girl discovers her aunt's hidden romantic past, Dora dreams that their revelation will pull Aunt Vera and herself from their mutual depressions.

简介：

两个年轻的恋人在南国抢劫，将他们的功绩发布到社交媒体上，从而获得了名气和追随者。

简介：

当一个雄心勃勃的纪录片导演把镜头对准一个为了赚钱而羞辱自己的美丽女人时，他发现了自己最黑暗的部分。

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简介：年轻气盛的牛仔Beauregard Decker（唐·默里饰），和他较富社会经验的朋友Virge（亚瑟·奥康纳饰）一起坐巴士前往参加全国牛仔竞赛，中途在酒店中发现表演女郎Cherie（玛丽莲·梦露饰），惊为天人，马上展开热烈的追求。但他那种蛮横无礼的示爱方式却唐突佳人，使她想尽办法逃脱牛仔的求婚。最后在巴士休息站上，牛仔被友人打醒，才改变作风讨得佳人芳心。

简介：这部犯罪喜剧片讲述刚出狱的劫匪安可，联手因童年创伤分裂出失忆人格的弟弟曼弗雷德，共赴童年老宅掘地三尺——既要挖出当年埋藏的赃款，更欲掘开尘封记忆的潘多拉魔盒。

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影片以汪星人的视角展现狗狗和人类的微妙情感，一只狗狗陪伴小主人长大成人，甚至为他追到了女朋友，后来它年迈死去又转世投胎变成其他性别和类型的汪，第二次轮回狗狗变成了警犬威风凛凛，再次转轮回，又成了陪伴一位单身女青年的小柯基犬。在经历了多次轮回之后，最终回到最初的主人身边。

简介：《沙丘2》将探索保罗·厄崔迪（提莫西·查拉梅 Timothée Chalamet 饰）的传奇之旅，他与契妮（赞达亚 Zendaya 饰）和弗雷曼人联手，踏上对致其家毁人亡的阴谋者的复仇之路。当面对一生挚爱和已知宇宙命运之间的抉择时，他必须努力阻止只有他能预见的可怕的未来。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：　　《逆向谋杀》以刑警队收到匿名杀人现场直播邮件开场，从刑警队不同人物的侦破视角，缓缓推进解开谜团，让多年前的一场谋杀以复仇的形式重新呈现在所有人面前。充斥影片的除了剧情的神秘紧凑，罪犯与警察之间的摩擦纠葛，真相的扑朔迷离外，还在各处微小的细节中展露了社会各个角色与各种事物之间的巧妙联系，有对亲情、爱情的渴望，也有对兄弟的一腔热血肝胆相照，更有对新时代人民警察形象的真实诠释，烧脑之余更能发人深思。