凤归梧桐

简介：

盐帮势力扩张过猛，朝廷决定进行打压，车千户派出五人小组实施抓捕盐帮首领的计谋。而此时，盐帮副帮主万千里却暗地里杀死了帮主万廷玉，盐帮一时乱作一团。原来万千里是想借眼帮大会之际升任盐帮帮主，恰好谷平安也将盐帮圣物石尊押镖给盐帮长老，万千里高兴不已，却不料五人小组已做好缜密部署，万千里被及时抓获。可狡猾的万千里却利用丐帮传播消息救他，同时在五人小组内部进行策反，由于万千里的捣鬼，王兆兴被认为是叛徒，不想五人之一的长者却是反水者，长者顶着万千里的重金承诺，将其护送到荣州，王兆兴等人也历尽艰险，追随到荣州。最终众人万万没想到万千里拿着石尊竟然是要打开盐帮的宝库。然而万千里的美梦能成真吗？长者遗恨自己一个老龙骑禁军竟不如王兆兴这个新丁。可悲可叹啊！

简介：孤城，一座浮华却堕落的罪恶之城，这里充斥着金钱与利益的争夺。然而，在这个亡命之徒的乐园里，仍有少数人坚持着自己心中的正义……　　警方卧底于秋在上司阿占的运筹帷幄下，多次成功打入当地帮派，斡旋于多方黑色势力之中。于秋在黑帮生活中却好像渐渐迷失自我，他开始怀疑，是否只有“非常”的手段才能主持公正，这让阿占也开始质疑。一次卧底行动中，于秋冒着行动失败的风险和帮派老大激战，结果全体命丧当场。在道德和江湖道义的双重质疑下，于秋选择了自我放逐，他逃离了孤城。　　然而，于秋内心对惩治罪恶的欲望从未消减，他重整旗鼓回到孤城，而这一次，阿占给他的任务竟然是调查罪恶之城背后最邪恶也最神秘的黑手、人人闻之色变的首脑——“老板”。　　从一宗离奇的小童绑架案开始，于秋和阿占查出老板的身份和他背后的犯罪网络。神秘的老板控制了商界和黑道，只有毁灭老板才能拯救这座堕落之城。事实上，于秋在追查过程中已经踏入了老板设下的重重圈套。虽然阿占拼死守着法律的底线，老板的势力却渗透了警方权力的高层，于秋渐渐失去了支持，原本要保护的小童也受到生命威胁。在接踵而至的迷局里，坚持正义的于秋好像被推向更深的绝望里……

简介：极具音乐天赋的小提琴家Rose在作曲家父亲Richard死后继承了他的大宅子，Rose在宅子中发现了父亲所作的遗作中有一些神秘的符号，在她的助手Charles的协助下，Rose逐步破解了这些神秘符号，同时也牵扯出她和父亲身后隐藏的惊人秘密。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：

戏曲片《孟母三迁》讲述三千年前孟子和他的母亲之间的故事。

简介：强盗弯刀在沙漠挖掘宝藏之时意外惊动了封印中的噩梦君，噩梦君蛊惑弯刀打开封印，噩梦君再次复活黑暗降临。封印大师小芝麻被邀请参加拍卖会，一个来自阿兹罗德的宝箱突然释放出梦魇诅咒，将小芝麻拖入可怕梦境。　　为了救小芝麻的阿里巴巴翻遍冒险宝典，从预言中判断出噩梦封印已经松动，恐怖的魔物即将出世，必须马上阻止。冒险界的新秀阿拉丁得知此消息后与阿里巴巴立下战书，谁最先打败噩梦君，谁就是最强冒险家，一场关乎冒险者声誉的比赛拉开帷幕。复活后的噩梦君释放黑暗能量,让弯刀变成刀枪不入的怪物。阿里巴巴与阿拉丁联手打败弯刀，最终在神灯精灵和小芝麻的配合下将噩梦君再次封印，世界重归和平。

简介：在怡红院里，几棵枯萎的海棠突然绽放出艳丽的花朵，引起了众人的议论。不久之后，元妃离世，宝玉又丢失了玉，痴病再次发作。贾母决定给他娶妻冲喜，王熙凤想出了一计，即明娶黛玉（夏菁 饰）实娶宝钗（陶慧敏 饰），实施了“掉包计”。宝玉听说要娶林妹妹，心中病痛顿消，然而意外的新娘竟是他的亲姐姐宝钗，导致他的痴病再次发作。

简介：

故事发生于两万年前的欧洲北部，地球正处于弱肉强食的冰川时期。心地善良的男主角科达是部落首领的儿子，在一次部落集体狩猎中，科达不慎跌落悬崖，众人以为科达已死，但大难不死的科达被洪水卷走幸存下来，只身流落...

简介：裘金去巴黎原本是为了修补巴黎歌剧院受损的镜子，却不期而遇了舞蹈总监艾莲，两人一时忘情竟然无法自制的热吻起来，亲吻过后，之前素未谋面的两个人居然毫无缘由的做起相同的动作，不仅是在跳舞的时候，还包括生活中，无论是刷牙、行走、站着、坐着、上厕所以及睡觉......

简介：　　在古老的东方，一直流传着一种残酷的刑术——活剥人皮。年轻的勇士苏赫巴兽（刘晋钊 饰）英勇善战，为阿拉善征战十五年，立下无数汗马功劳，血气方刚的他被年轻貌美的居延公主（李若词 饰）所吸引，抵挡不住内心对居延公主的向往，欺凌了公主，被处以活剥人皮这一刑罚。谁知被剥去人皮的苏赫巴兽不但没有死，反而得到了一股神奇的力量，一系列的报复计划就这样展开了......已经心有所属的居延公主为了追求真爱，也付出了鲜血和泪水，上演了一出东方版的罗密欧与朱丽叶。

简介：1927年秋收起义失败后，毛泽东率工农革命军第一军第一师向南转移，途中遭到敌人的袭击，部队损失惨重。随后在决定部队去向的问题上，领导内部产生了很大分歧，最后毛泽东的意见得到大多数同志的支持，部队继续向南转移。到达永新县三湾村后，毛泽东对剩余部队进行了及时的改编，确立了党对军队的绝对领导。为建立巩固的革命根据地，扩大革命队伍，毛泽东提出应争取袁文才和王佐等地方武装势力。在此问题上，余洒度等第一批黄埔军校毕业的军官又与毛泽东产生了分歧，余洒度等人以去省里汇报为名逃离井冈山。毛泽东以诚相待，终于取得了袁文才的信任，毛泽东的部队驻进了茅坪，毛泽东由此找到了知音贺子珍。为进一步巩固革命根据地，毛泽东一方面继续争取王佐，一方面派何长工去省委汇报，寻找南昌起义失败后南下的朱德部队。很快王佐接受改编，加入了工人农革命军，壮大的队伍初战告捷一举拿下了新城。但在此时，省特派员周修明却责令部队改路去支援湖南暴动，还错误地传达省委指示，开除了毛泽东的党籍。不得已，毛泽东一面去中央申诉，一面出兵湖南。结果，军队遭到惨痛的失败，也丢掉了后方的根据地。毛泽东气愤不已，再次回到井冈山，经过浴血奋战，毛泽东与朱德的部队终于1928年4月28日在井冈山胜利会师。

简介：空中监狱是美国运送全美最危险的罪犯而专设的飞机。卡麦伦（尼古拉斯•凯奇 Nicolas Cage 饰）坐上这趟飞机，不是因为他罪恶滔天，而是他为了赶在女儿生日那天，亲手给女儿一份礼物而申请的一次飞行。他在狱中表现良好，典狱官答应了他这个请求。然而，却有一个难题——在这趟飞机上，还押送着一帮杀人狂魔。