138
4.0

盗窃童心

导演:
吉安尼·阿梅利奥
主演:
恩里克·洛维索,Valentina,Scalici,Giuseppe,Ieracitano,Florence,Darel,Marina,Golovine,Fabio,Alessandrini
别名:
未知
4.0
138人评分
其它
语言
未知
上映时间
未知
片长
简介:
罗塞塔(瓦伦蒂娜•斯卡里希 Valentina Scalici 饰)和卢恰诺(朱塞佩•伊拉西塔诺 Giuseppe Ieracitano 饰)是一对相依为命的姐弟,她们的母亲因为逼女儿卖淫而锒铛入狱。此事遭媒体曝光后,两人随后被两个警察送上了去孤儿院的列车。其中一个警察因事先行告退,将姐弟俩托付给警察安东尼奥(恩里克•洛维索 Enrico Lo Verso 饰)独自看护。姐姐背负着雏妓的心理压力,但是弟弟却总是我行我素,两人常常发生争执。安东尼奥总是默默旁观,小心翼翼地呵护着两颗稚嫩的童心。在经历了抢劫、酒店驱逐,学校开除、哮喘疾病等一连串霉运后,安东尼奥似乎跟姐弟俩建立一种亦父亦友的关系,然而一张报纸却让他们的世界陷入崩溃的边缘……  本片获第45届戛纳电影节评委会大奖。
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简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
291
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