北海

简介：相貌甜美可亲的棣棠绿（夏菜 饰）从小就有一个成为偶像的梦想。她的母亲真雪（森昌子 饰）曾经是小有名气的歌手，怎奈母亲的音乐细胞没有遗传给绿，唱歌跑调的音痴属性让绿与五光十色的舞台绝缘。现如今，绿在香川县的杜鹃巴士上担任巴士导游。她手里拿着母亲送给她的金色话筒，据说这可是能够实现三个愿望的宝物呢！这一天，在国际上都享有盛名的大型音响制造商“鲇动力学”的少东家栗田拓人（黄川田将也 饰）来到了绿所在的城市。这里是拓人去世的父亲出生的地方，此次他将在此地开一场音乐会。英俊帅气、显赫潇洒的高富帅让单身的巴士导游小姐们纷纷倾倒。命运的趋势下，绿和拓人坠入爱河。但是鲇动力学的实际掌权者——拓人的母亲栗田彻子（户田惠子 饰）得知儿子找了一个门不当户不对——更主要的是还是个音痴——的女孩，大为光火。她针对绿提出了苛刻的条件，那就是“能唱能跳会表演”，否则别想进栗田家的门。
在此期间，绿还重逢童年时代的朋友小川（平冈佑太 饰）。现如今担任音乐教师的小川出手相助，并帮助绿和她的朋友们组成了名为“Bus Guide Sisters”的组合。音痴小绿，能否通过歌声抓到宇宙第一的幸福吗？

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简介：托尼亚（玛歌特·罗比 Margot Robbie 饰）成长在一个破碎的家庭之中，和母亲（阿丽森·詹尼 Allison Janney 饰）过着相依为命的日子。托尼亚的母亲是一个冷若冰霜而又独断专行的女人，她在年仅3岁的托尼亚身上看到了她成为一名花滑运动员的潜力，就这样，小小的女孩被送往了由戴安（朱丽安妮·尼科尔森 Julianne Nicholson 饰）执教的花滑队里，开始了训练。

简介：影片讲述了两个珠宝设计师被秘密组织挑选为实验对象，在对抗过程中而发生一系列精彩的故事。年轻有为的珠宝设计师李清晨在一次公司季度珠宝设计中遇上海归设计师刘曼妮，一个是典型的大男子主义，一个是霸道的女权主义者，火花四溅针锋相对的两人在一次绑架案后被命运紧密地联系在一起。面对一系列的身体变异，和黑衣人组织头目“托尼”接二连三的夺命追杀，李清晨和刘曼妮这对欢喜冤家在逃亡的过程中逐渐开始变得彼此信任，而两人也联手揭开了一段不为人知的惊天大阴谋。

简介：A young woman is found unconscious in a city street - claims to be another person who was brutally murdered two months earlier - escapes from a psychiatric hospital in order to prove her identity and find the truth about her life, her death, and her murderer.

简介：原为知名美国西岸的同名舞台剧，讲述老少配浪漫悲喜交加的人生故事。一头灰白头髮充满熟年魅力的柯林认为自己是天菜大叔，集成熟、富有、金钱、智慧于一身。有一天，带着迷人微笑的大学实习生Ｔ出现，柯林立即为之倾倒。两人很快就坠入情网，而柯林的麻吉，史都开始怀疑起Ｔ的真实意图……最后的情节发展竟让所有人都意外。

简介：一个陷于困境的好莱坞制片人拿着《安娜卡列尼娜》的剧本去希腊小岛说服隐居的大明星费多拉出演——她以青春永驻的容貌创造了神话。然而制片人却发现费多拉被她的医生以及密友伯爵夫人近似虐待般囚禁，他想方设法帮助费多拉逃离小岛…………

简介：影片以阿根廷历史上著名的“五月广场母亲”事件为背景，讲述里卡多·达林扮演的主角率领律师团队大胆挑战军事独裁政权，帮助在军政府残酷统治下被迫害的人们终于寻回正义的故事。

简介：万历三十七年舒尔哈齐长子阿尔通阿被伯父努尔哈赤下令诛杀，阿尔通阿贝勒带着未婚妻冲出重围，未婚妻却被追兵所杀，临死前将龙眼石交给阿尔通阿，身负重伤的阿尔通阿带着龙眼石逃到江南沦为乞丐，在山洞疗伤期间山洞坍塌，被封的山洞中空气里含有大量氯丙嗪以致阿通昏睡四百年，四百年后今天的人们炸山开矿惊醒了沉睡四百年的阿尔通阿，阿尔通阿在矿场遇到了跟自己未婚妻长的一模一样的矿场老板陈清华，陈清华因喜欢龙眼石便将他和龙眼石一起带回家。竞争公司的老板吴良得知陈清华得到一颗不凡的宝石遂派手下盗取龙眼石，岂料刚刚得到龙眼石的吴良就暴病身亡，其子吴发发接管蓝重公司，吴发发认为吴良的死跟龙眼石有关，便带着父亲的结拜兄弟孙龙

简介：本片呈现了一个痛失爱子的寻仇货郎和一个寻找父亲的孩子从不共戴天到形同父子的感人故事。这段寻父之旅使充满复仇心里的苟仁重新燃起对生活的希望，也使寻找父亲的孩子毛豆找到了心灵归宿，二人相互救赎了彼此。

简介：暂无简介

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.