29岁的克里斯汀(丽贝卡·豪尔 Rebecca Hall 饰)是一名新闻主播,总是出现在热门时段的电视荧幕之上。要知道,在七十年代,能够成为知名新闻主播,对于一个女人来说是一件难如登天的事情,但克里斯汀凭借着自己的智慧和努力做到了!虽然身居高位,但为了维系自己在电视台的地位,克里斯汀付出了常人无法想象的汗水,背负了令她感到窒息的压力,她不得不放弃自己的家庭、感情,以获得更多的工作资源。但最终,不断下滑的收视率还是令克里斯汀向现实低头了,她开始违背自己的初衷,制作那些哗众取宠的劲爆新闻,虽然收视率回来了,但克里斯汀却并不感到开心
Facing a long winter of lockdown and combating a bad case of writer’s block, filmmaker Eric agrees to get a dog with his girlfriend Allie. A modern couple – vegan, ethical, millennial, neurotic – much research and negotiation leads to the arrival of Milly, a rescue from the Dominican Republic. This sets off a riotous chain of new challenges on how to best deal with this addition to the household. As Eric contends with a sinister dog-training programme, his introspection spills out onto his film work, with poor Allie and Milly taken along for the ride. The couple each pursue their own deepheld individual questions surrounding trust, purpose and roots, while wrestling with the idea of what it means to be a modern family. Milly, in the meantime, has a lot on her paws with these two! Part rom-com, part rescue-dog story, part autofiction, part self-indictment, part family scrapbook, this debut feature was made with remarkable economy and displays a disquieting amount of (often hilarious) emotional authenticity. Filmmaker Ben Petrie and creative collaborator Grace Glowicki play the young couple and in doing so, capture nothing less than what it means to be human.
两个10岁的孩子无意间在郊外发现一部看似被遗弃的警车;结果他们居然异想天开地把车给开去兜风,但除了令人无言、毛骨悚然、自杀式的驾驶技术外,他俩对自己惹上了什么麻烦也浑然不知。 当警车的主人---小镇警长(凯文·贝肯 Kevin Bacon 饰)找上门来要回他失踪的警车时 ,情况更是雪上加霜。两个小鬼头这时才发现他们已陷入一场危险又致命的猫捉老鼠游戏中……