921
4.0

福冈恋爱白书14天神情歌

导演:
土屋哲彦
主演:
白石圣,西山润,森田想,吉冈睦雄,福田爱依,津田宽治
别名:
未知
4.0
921人评分
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简介:

糟屋郡粕屋町に住む高校3年生の未来(ミキ)は、 恋人と友人に裏切られた過去から、人を信じられず、恋もできないでいた。 「音楽さえあれば、それで幸せ」 孤独な心が唯一満たされるのは、一人ギターで大好きな歌を歌うことだった。 SHINOというアカウント名で、自分の歌う姿をSNSに投稿する未来。   ある日、未来の動画にコメントが届く。 「自分は北九州市に住む山下直斗です。感動しました」 直斗(ナオト)は救急救命士の仕事に挫折寸前だったが、未来の歌に救われる。   警戒する未来だったが、実直な直斗の言葉に勇気をもらい、天神路上ライブに踏み出す。 その後、直斗とSNSだけの会話が始まり、会えなくとも徐々に惹かれ合い、成長していく未来と直斗。 前向きに変わっていく未来だったが、元彼が再び脅かすようになる…   未来の心を込めた歌と直斗の相手を思いやる言葉。 音楽とSNSか...

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简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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