邻家大贱谍

简介：肯尼迪的遇刺成为了一桩美国历史上的悬案，电影重新审视了那一段历史，到底杀手是一个普通人，还是整个庞大的政治阴谋，真相和幻象，都在调查中渐渐露出端倪。 总统遇刺的两小时内，官方认定的凶手即被逮捕，他就是里·哈威·奥斯瓦多。然而巧合的是，在随后的一个小时，这个嫌疑犯却火速被 一名流氓杀死。经过调查，官方还是认定里·哈威·奥斯瓦多为真凶。但是，三年后的一个美国地方检察官吉姆·加里森（凯文·科斯特纳 Kevin Costner 饰），却发现肯尼迪中弹的蹊跷，从而推测当年官方的误判，接下来，他的侦查牵连着一个历史上的惊天阴谋。

简介：　十年动乱期间，原本工商业出身的张家祸从天降，受到巨大冲击，少奶奶欧阳瑞丽不得已挑起生活的重担经阿姨介绍，她给别人做起了保姆。为了生计，瑞丽来到里弄生产组当临时工，生产组的家庭妇女虽然都没什么文化，但都心地善良热情，她们给瑞丽孤寂的心带来不少慰籍。回城的文影因感情受创精神失常，瑞丽悉心相帮。粉碎“四人帮”以后，组织上落实政策，返还了当年抄家的物品和存款，一家人又过上奢侈的生活，但却再没有了当年身处逆境的生活气氛.....

简介：香港某大银行被人抢劫，嫌犯是一对亲兄妹。在逃跑的途中，哥哥劫持了一辆旅游车做为人质，善良的妹妹不忍看到有人被杀，便于哥哥混在人质中，从警方的视线里消失了。可是在之后的逃亡中，大哥突然兽心大发，见人就杀。最终，警方能否将凶犯捉拿归案。

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《同级生》作者中村明日美子的耽美漫改新片。壹河光夫和市川光央从少年时代就形成了一个听从另一个命令的主仆关系，长大后的一件谋杀将指引他们再度交织。

简介：托尼亚（玛歌特·罗比 Margot Robbie 饰）成长在一个破碎的家庭之中，和母亲（阿丽森·詹尼 Allison Janney 饰）过着相依为命的日子。托尼亚的母亲是一个冷若冰霜而又独断专行的女人，她在年仅3岁的托尼亚身上看到了她成为一名花滑运动员的潜力，就这样，小小的女孩被送往了由戴安（朱丽安妮·尼科尔森 Julianne Nicholson 饰）执教的花滑队里，开始了训练。

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两位布鲁克林长大的兄妹来到瓦胡岛乡间，他们发现一本记载了遗失已久的宝藏的日记，这个夏天变得激动人心。两人与新朋友们踏上一场史诗般的冒险，并让他们重新认识了夏威夷人的文化和传统。

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“青春无敌，容易揾食”，是现今伴唱女郎的左右铭，她们懂得利用自己年青貌美的本钱来赚钱，还赚得很开心，因为她们本身就喜欢著靓衫，劈酒猜枚和卡拉 OK，跟本就是遇工作于娱乐。而且她们全部都是自愿入行，迫良为娼的情况巳经是天方夜谈，很多人都误解她们是处境可怜的一群，其实她们是开心一族。 　　“今日世界夜总会”是城内其中一间大场，以靓女多闻名，客人以中产白领和生意人为主。场内最吃得开的妈咪是JULIA姐，她只有二十七岁，为人机灵，有情有义，对旗下的十几个女仔当中，以阿B，MATILDA，阿君和COCO四位最为突出。阿B芳龄才十九，就已经看破世态炎凉，定下人生的宏伟目标：以七年青春换取大量金钱，让自己欢愉地游憩未来日子。Matilda是天生做爱狂，以做爱赚钱真是如入仙境。阿君好赌成性，是最爱做梦的人。CoCo最坚守原则，卖笑不卖身，一心遇到王子，麻雀变凤凰。她们人...

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　　被浩瀚大海所包围的奄美大岛，少年界人（村上虹郎 饰）和少女杏子（吉永淳 饰）各自经历着人生的波动时刻。月圆之夜，界人目睹了背部有纹身的男子漂在海中死前的一刻，心灵备受触动。他对母亲（渡边真起子 饰）和男人们纠缠不清的行径感到反感，于是决定去东京看望父亲（村上淳 饰）。杏子的母亲（松田美由纪 饰）是岛民们倍为敬重的女巫，但女巫也无法逃脱生死的宿命。母亲病入膏肓之际，杏子矜持的心土崩瓦解。少男少女愁绪满怀，涛声、风声、歌声、琴声，汇聚成一首关于生命的颂歌…… 本片为演员村上淳和作为歌手的前妻UA之子村上虹郎的银幕处女作。

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该剧以明朝末期为背景，阉党乱政，魏忠贤为了巩固自己的地位，使用各种手段刺杀朝廷忠臣，追杀忠良之后，少林寺高僧法号“云海”为保全忠义之后，秘密遣送孩子们到深山古刹之中，化名普通人，并教他们勤加苦练武学，...

简介：毒警追踪讲述的是吸毒成瘾的警探麦克康尼誓要抓住刚出狱的罪犯西蒙（柯瑞·蒙特斯饰），一天时间之内，他步步逼近西蒙，他不懈的追踪后到底隐藏着怎样的秘密，西蒙和他又有着怎样的往日纠葛……

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.