活在当下

简介：

根据艾玛·多诺霍撰写的同名小说改编，讲述在1859年的夏天，英国护士莉比（弗洛伦丝·皮尤 饰）来到爱尔兰的一个小村庄，看护一个神奇的女孩安娜·奥唐奈，据说她在禁食的情况下活了四个多月，人们对此深感意外，认为安娜是个难得一见的奇人。游客们纷纷涌来看望神奇女孩安娜，认为见她一面或者被她 祝福就能获得某种神奇的护佑。《爱尔兰时报》的记者伯恩前来报道这个令全国轰动的消息，采访时与莉比不打不相识，二人逐渐发现了安娜禁食的真相，并对安娜展开大胆营救。

简介：影片改编自Karen Dionne所著同名畅销小说，讲述女主角海伦娜（黛西·雷德利 Daisy Ridley 饰）表面上与优秀的丈夫和年轻的女儿过着理想生活，但她隐瞒了令人震惊的过去：她的母亲在十几岁时被绑架，她是俘虏和施虐者生的孩子。她的父亲雅各布·霍布鲁克（本·门德尔森 Ben Mendelsohn 饰）被称为“沼泽之王”，囚禁母女俩于荒野多年，她们过了12年被暴虐男人操控的生活，直到他被捕并送进监狱。

简介：　　怡蓉为躲过土匪的追捕，假扮警察贺峰的妻子进入青城，但却引起了贺峰女友刘曼玲的误会。土匪追到城下，要求交出怡蓉，不然就攻城，贺峰拒不同意。 怡蓉为了留在青城保命，几次三番编造谎言，却又都被一一拆穿，贺峰对她失望至极。怡蓉一气之下离开青城，差点被土匪打死，贺峰不忍，又将她救了回来。然而，青城百姓却强烈要求将怡蓉赶走。无奈之下，贺峰亲自送怡蓉出城，自己却遭遇土匪伏击，并被俘虏。 　　土匪长老无意间发现贺峰正是老当家高一鹰失散多年的儿子，于是计划把贺峰送回去，以便里应外合攻破青城，贺峰得知真相后也决定将计就计。

简介：蔚蓝晴空，日正当中，中年男子尼尔与家人在墨西哥的度假胜地，享受奢华的悠閒假期。白天在泳池边小酌，晚餐与乐手暗送秋波，一切都十分惬意，直到手机铃声划破空气。电话那头母亲病况危急，大家只好收拾行李，搭上下一班回国的飞机，不料尼尔在登机口找不到护照，只能与家人分道扬镳。走出机 场，尼尔搭上计程车，开往的却不是回饭店的方向，而是市区的破烂旅社⋯⋯。

简介：故事发生在上个世纪70年代英国统治下的香港，万天鹰因为有英国人做靠山，横行霸道逼良为娼，铁记饭店老板娘铁姐（徐冬冬饰）带领手下员工小豹子（谢苗饰）等人对峙恶势力，为老公复仇，最终还香港和平与安宁

简介：

三峡建设工作正在进行中的奉节县城，迎来一男一女两个山西人。 　　男人韩三明（韩三明 饰）来自汾阳，是名忠厚老实的煤矿工人，来奉节为寻十六年未见的前妻。前妻是他当年用钱买来的，生完孩子后跑回了奉节。寻找前妻的过程中波折不断，韩三明决定留下来做苦力一直等到前妻出现。女人沈红（赵 涛 饰）来自太原，是名沉默寡言的护士，为寻多日不曾与自己联系的丈夫而来奉节。丈夫与她的夫妻关系早已是有名无实，这点她虽然深知，仍想让丈夫当面给她个说法。沈红的找寻过程也不是一帆风顺，丈夫在有意无意地躲着她。韩三明和沈红虽不认识，却因为要做相对意义上的“拿起”与“舍弃”抉择，在冥冥之中有了某种神秘的联系。 　　本片荣获2006年第63届威尼斯国际电影节金狮奖。

简介：

珍海滋科是一位美丽且勇敢的女教师，她所在的学校有一帮无视校规的坏学生，其中以校园恶霸拉卡斯最为凶狠。由于她经常阻止他们的恶行，所以不断受到拉卡斯及其帮派的威胁和攻击。

简介：

　一名年轻重犯被送到监狱服刑，却在女惩教员内心投下巨型情绪炸弹。素来理想主义、对监犯仁慈的她，申请调到重犯监禁区，逐步亲近她的猎物，争取他的信任，致力安排他与母亲见面。是母性大发，要拯救这头狂野之狼，抑或被勾起了掩藏多年的暗黑过去，一发不可收拾？毕竟，监狱令人疯狂，不！疯狂与监狱，都只是规训张狂的病征，真相在扭曲力量下根本毫无位置。到头来伦理悬疑、恩怨情仇，可都是存在反思的药引？在呕吐之前，等待偿还的也许太多。

简介：　　Ten directors of a new generation of filmmakers tell how differently people in Switzerland cope with the worst imaginable disaster; the fact of being dependent on other countries.

简介：

骇人的枪声、离别的眼泪、掩藏的爱意……中共早期党员张人亚成为头号被抓捕对象，他从平民日报社紧急撤离，隐蔽在城郊的小船上。他还有一件秘密任务需要完成。面对昔日战友反目成仇穷追不舍，他如何脱身？他的父亲张爵谦，他触不可及的恋人夏一岚，如何成为他的一束光？他能否顺利保藏党的“力量密码”……背叛虐恋父子情深，谍战枪战一触即发。

简介：影片以彭德怀同志在“文革”前和文革刚开始的经历为主体，不断穿插闪回各种历史片断，用传记片的手法反映了他富有传奇色彩的一生，使观众对他光明磊落、胸怀坦荡、刚正不阿德个性和雄才大略有了一个全面直观的认识。影片从历史的真实面貌出发，并没有将主人公神化，而是将一个有血有肉可亲可敬的领袖人物全面的展现出来。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.