569
1.0

霍金传

导演:
菲利普·马丁
主演:
本尼迪克特·康伯巴奇,丽莎·迪伦,亚当·戈德利,菲比·尼克尔斯,迈克尔·布兰登,汤姆·霍奇金斯,克里斯蒂安·鲁贝克,马修·马什,阿纳斯塔西娅·希尔,彼得·弗斯,罗汉·希瓦,博迪·卡维尔,汤姆·沃德,迪尔德丽·科斯特洛,约翰·塞森斯,塞巴斯蒂安·阿梅斯托,爱丽丝·伊芙,安东尼·豪威尔,里昂·奥肯登,车·卡特赖特,卡罗莱娜·贾梅塔,琳达·斯珀里尔,詹姆斯·沃里尔,大卫·麦凯尔,罗里·科普斯,马克·韦尔斯,多米尼可·普赖斯,菲利普·麦金利,查理·比尔,罗布·奥德菲尔德
别名:
未知
1.0
569人评分
英语
语言
未知
上映时间
未知
片长
简介:
1963年,霍金21岁的人生发生了一悲一喜两个重大事件。这一年他被确诊患上了肌萎缩侧索硬化症,这种病会使他的身体越来越不听使唤,只剩下心脏、肺和大脑还能运转,最后连心肺功能也会丧失,当时大夫预言他只能再活两年。这一致命的打击几乎使霍金放弃了学业,但生日舞会上一个女孩的出现神奇地改变了一切,她就是霍金的第一任妻子简。
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主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
168
1954
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主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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