呼我

日本鬼才導演塚本晉也繼《野火》、《斬、》後，推出戰爭三部曲最終章《火影》。鏡頭轉向二戰砲火下斷垣殘壁的居酒屋，女人、士兵和孤兒宛如一家三口在殘骸裡享受片刻寧靜，直到神祕男子將男孩拐上血與仇恨的不歸路，開啟人間的地獄之門。甫獲日本電影金像獎最佳新人的趣里細膩大膽演出、影帝森山未來魄力十足。火光煙硝雖助燃暴戾，或許也能照亮人間僅存的溫柔。

一群离别原生家庭的小孩子，经莫姑娘（谈善言 饰）安排下，遇上天美姨姨（郑秀文 饰）和彬叔叔（陆骏光 饰）这个短暂的幸福中途站，天美姨姨亦因此经历十三年来从聚合到分离；遇上每一个孩子，他们却又再要分散，感受到喜悦也要经历分离的痛。

A family of four is stuck in an idyllic island that hides a shocking reality.

　Nikolaï was abandoned at birth and has been in foster care ever since. Although a family would like to give the sixteen-year-old boy a home, he decides to make one himself. He meets Camille, an intriguing fifteen-year-old wiseacre, and tries to convince her to make a child together. Nikolaï is convinced that he can handle any problem and wants to avoid at all costs that an adult thwarts his plans. Camille and Nikolaï flee together from the home and isolate themselves in the woods. In the heart of this gloomy, mysterious forest, Nikolaï will have to face his first feelings and learn to become a man. Soon, he feels that there are many things he cannot control.

Peter Tchaikovsky created some of the most romantic and beloved music ever. Surely he must have a man sensitivities for above human passions and pitfalls. Not so, says Ken Russell (Women in Love, Crimes of Passion), director of the lavish Tchaikovsky bio-pic The Music Lovers. Declaring that he was “fed up with the reverential treatment of musical heroes,” Russell sold his film ...