影片以陕西精准扶贫为真实背景，讲述挂职副县长的程志远经过考察、调研后通过乌鸡产业带领地方脱贫致富的故事。
父母的猝然离世让少女许东溪患上广场恐惧症，不敢迈出家门半步。父母的遗产公证无法办理、原定的留学计划被搁置，许东溪的前路一片茫然…… 许东溪的“二舅”、拾荒大叔苟富贵突然出现在许家别墅，死缠烂打要为许东溪的母亲守灵七天。许东溪无力招架，只好同意…… 自此，无赖大叔和抑郁少女开始了同在一个屋檐下的龃龉和磕绊。随着这种磕绊渐渐转化 为陪伴，许东溪震惊发现苟富贵还有另一个身份……这个无赖大叔能帮她走出别墅吗？面对一个又一个让她始料未及的秘密的揭开，她该何去何从？
Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.
男一号秦泰是一名极具个性的美术生，而他学美术是在美术，老师范泽的指导和建议下开始学的。他从小生长在看似家庭优越的环境中，其实十分缺少父爱的单亲家庭， 缺少父亲的陪伴和疼爱，在家庭的影响下，他向往自由，厌恶学校和书本的束缚，在班主任眼中是个十足的坏孩子，却最终在老师范泽的引导和教育下找到了自己的目标，并努力去实现自己的梦想……
影片围绕失去父母的姐姐在面对追求个人独立生活还是抚养弟弟的问题上展开了一段细腻感人的亲情故事。
