午餐盒

简介：一辆黄色出租车行驶在德黑兰熙熙攘攘的街道上。各种各样的乘客坐上车，每人都直率坦白地回答了司机的各种问题。而这个司机不是别人就是导演贾法•帕纳西本人。在这个移动摄影棚中，导演将摄像机放在仪表板上，通过这次有趣而戏剧的旅程，记录了伊朗社会的精神风貌。　　导演说：“我是一名电影工作者，我什么都不做，只拍电影。电影是我的语言和生命的意义。没有什么能阻挡我拍电影。因为当我被推入最深的角落时，我与自我相连。在如此私密之处，尽管限制诸多，创作的需求已超越了欲望。我心系电影艺术。这就是为什么无论如何，我都要继续拍电影。只有这样，我才能尊重自己，感受到我还活着。”

简介：生活在福幼中心的彬彬（小彬彬 饰）人小鬼大，和一班小朋友时常令恶声恶气的中心余总监（曾志伟 饰）无可奈何。这天，彬彬受童话启发，离园外出探险，偶遇魔术师兄妹俩富（岑建勋 饰）和嘉（张艾嘉 饰）。嘉嗜赌成性，并利用魔术表演偷窃，却被彬彬撞破了好事。嘉因为欠下赌债，连累富被讨债公司追索，富为了帮助入监的妹妹还钱，铤而走险卷入抢劫事件，又阴差阳错结识彬彬。富为人心地善良，将彬彬带回家中一同生活，而彬彬也爱上了这位卷毛“魔法师”。嘉终于重获自由，而此时，彬彬和富变得难分难舍。作为福幼中心的孩子，彬彬难免被收养，这令大小二人深感不舍……

简介：Slam，大致可以翻译成“诗喃”，对大多数人来说或许是一个陌生的名词。这是一场艺术运动，起源于1986年，美国诗人Marc Smith希望能让诗从精英主义的高阁走下来，让诗歌的阅读更普及并且更加有趣，诗喃由此诞生。诗喃创作者不需要考虑统一的格律，只需要根据自己对生活的观察和感悟用他们喜欢的文字和风格表达出来，这一种超越，让诗喃本身承载着自由、开放、平等、分享的意味。　　如何进入这个自由狂放又诗意的世界？导演Marc Levin在《Slam》这部作品中，从黑人街头文化、帮派文化、说唱文化（注：诗喃不是说唱，而是比说唱更自由的形式），进行切入，讲述了一个通过自我思考和自由表达，最终达至自我发现、自我救赎的故事。通过镜头，我们将与男主人公一起，走过黑人街区、监狱、城市街头、诗喃大会，在命运面前求索，一步步走近生活与内心的真实，并以此为源，化为蓬勃而真挚的诗喃。　　诗喃的表演形式非常纯粹，没有服饰、没有布景、没有音乐，整个过程仅靠诗喃者的声音与肢体语言进行表达。舞台、诗喃者、观众三个元素即构成了这个简单、自由、原生的场域，乃至于，当诗喃的精神深入骨髓，连日常的对话，都可以化律动的诗喃，绽放出语言美妙的流动性。而随着影片的深入，相信你会在最后的演绎中，感受到诗喃者的自我挖掘诚挚脆弱如赤裸婴儿，诗喃者的情感澎湃汹涌野生如荒岛巨浪。那是简单如一、一即是全的彻底的生命表达。

简介：云头山代理县长王云农赴任履新时，遭遇家庭婚姻危机，接到了妻子赵璇离婚的最后通牒。然而，他心系故土，信念中要让这块土地的人过上幸福的日子。刚一到任，就遇上云上村留守儿童误食污染河鱼中毒事故。他“既要金山银山，又要绿水青山”，一面着手调查留守儿童误食被污染河鱼死亡事故，果断关停矿山污染企业。一面在云头山积极推进产业升级转型，实施精准扶贫工程，大建生态茶园，终率领云头山农民走向致富道路。

简介：影片主要讲述了高天赐是广州一个小厨师，和来自法国拥有米芝莲三颗星荣誉的名厨安保罗，厨艺各有千秋，从一开始的争锋相对，到成为惺惺相惜的好友，并联手参加‘全球美食之王’大赛夺得冠军的故事。

简介：安撫使王良佐奉旨護送日月神珠往番邦招安, 旋風寨寨主毒旋風與弟毒蠍子攔路劫寶, 得手後發現神珠已失, 遂押佐回寨拷問. 佐女小蝶願入虎穴救父, 周知府選了四名死囚薛永章、田大松、吳子飛、及汪奇湖助蝶. 蝶等途中與風手下雲中龍、中豹兄弟衝突, 松、飛、湖乘亂逃走, 為章所截, 四人折返合力除去雲氏兄弟. 湖施「壁虎功」爬上峭壁, 與嘍囉血戰而死; 松欲逃走, 遇上風兄弟, 死前助蝶調開二人. 飛領蝶與佐相見, 佐突取蝶腰間匕首剖腹, 神珠隨血流出. 章殺蠍後被飛誤會變節, 不得已殺死飛, 最後與風同歸於盡, 餘下蝶淒然而返.

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：根据藏族奥林匹克第一人切阳什姐的事迹创作。讲述了一位身心受挫的汉族教练重拾自我，带领并培养藏族姑娘实现奥林匹克奖牌梦想的故事。

简介：九岁的伊莎贝尔是一个灵感的舞者与时尚设计的天赋。她很高兴在一个著名的每一个造型艺术学校学习芭蕾舞，但她的同学是如此有才华-她不禁感到，她总是在她的“完美”的姐姐，杰德的阴影。所以，当她的偶像，一个著名的芭蕾舞演员，鼓励她试镜的专业芭蕾，伊莎贝尔不知道她可以土地的作用。当一个竞争激烈的同学开始指出伊莎贝尔的每一个错误，她的信心甚至进一步下沉。她能找到勇气走进聚光灯，发现自己闪耀的方式吗？

简介：环卫所女工青姐目睹了一场车祸，肇事者开车逃逸。向警察提供了肇事现场的信息后，却不料这是辆套牌车，案件变得迷离。青姐的神经再次被事故现场的画面所震撼。良心苦苦挣扎后她决定追寻肇事者。这时，她收到一个装满现金的信封，告诫她，彻底抹去交通事故的记忆。事情越来越接近真相，肇事司机也渐浮水面，正是儿子同学的爸爸，青姐收到一封恐吓信，儿子魏恒被打，当家人都以为是意外时，只有青姐知道这意味着什么！

简介：

陆雪妮（余男 饰）是一名日企的高管。最近，日本母亲的离世使她身心倍受打击，白天神情恍惚，夜里经常被骇人的梦魇惊醒。原来，母亲是战争留下的遗孤，多年来，雪妮一直和孤独的母亲及年幼的儿子步步（邵何之杰 饰）相依为命，身边除了一个可以信赖的律师（于谦 饰）外，她再没有可以说知心话的人。就在母亲的后事处理完结时，一个东北老太太的突然出现又在雪妮的心头打响惊雷，原来她才是自己的生身母亲，雪妮不得不接受这个严酷的现实，但五岁的儿子并不喜欢这个来自农村的老太太，一家人在磨合中相处着。为照顾母亲和儿子的感受，雪妮准备换一下目前的工作。在一次例行体检中，母子的血缘关系却发生了惊天大逆转......

简介：

凯尔（罗比·阿梅尔 Robbie Amell 饰）是一名海军陆战队队员，忠心耿耿的军犬麦克斯是他的搭档和战友，两人穿梭在枪林弹雨之间，经历过许多生死攸关的危急时刻，结下了深厚的友谊。最终，凯尔死在了战场上，心碎的麦克斯竟患上了战后创伤应激症，无法作战也不肯认新主人的麦克斯只能离开了军队。 　　凯尔的家人领养了麦克斯，凯尔的弟弟贾斯汀（乔什·维金斯 Josh Wiggins 饰）格外疼爱这是有故事的忠犬，在凯尔家人的温柔守护下，麦克斯的心理疾病渐渐康复，重新展现出了活力。就在一家人其乐融融之时，一位名为泰勒（卢克·克莱坦克 Luke Kleintank 饰）的男子出现在了麦克斯面前，声称自己是凯尔曾经的战友。