武林孤儿

藤羹粉小店火爆全城，陈富根、谢静一心想开分店而落入资本圈套。乔远布下惊天骗局，设下致命合同陷阱。谢静为救子两难，富商出手并购，恶人却突然现身索要千万暴利。陈富根绝地反击，巧设离间计拿到铁证，最终让布局者自食恶果，善恶终有报！

偏僻山村公主坡四面环山交通不便，多为留守老人妇女儿童。退休市文化局干部张乐进心系故土，毅然回村助力振兴，虽遭部分人反对，仍顶压力带领干群攻坚克难。在他感召下村民纷纷转变，村里建成旅游景点外出青年返乡创业，病重的张乐进望着新貌，感叹此生无憾。

Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement.
　　Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind.
　　Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.

深陷毕业设计焦虑的女孩林睿，在与老师的痛苦对话和重审自己画作的过程中，从“不敢要”的惯性逃避中醒来。她第一次“看见”被大脑忽略的疲惫身体，理解了父亲的沉默，也读懂了高中老师信中那句“唯有从身上的包袱中才能长出翅膀”。最终，在母亲的陪伴下，她开始尝试不再内耗，从仰望烟花的旁观者，蜕变为为自己绽放烟火的创作者——“睿女巫”从内耗的沼泽里，长出了自己的翅膀。