春水母女生活在广西大山深处，春水自幼丧父，和母亲相依为命，春水母亲受伤后，生活的重担压在幼小的春水身上，受妈妈性格影响，春水乐观善良，对生活充满希望。来山区采访的记者吕苗和春水母女结下了深厚友谊，受春水母女情感染，吕苗原谅并且与自己的养母消除隔阂。
This terrific coming-of-age film tells a story of growing up largely without parents, of the complex world of becoming an adult when the adults aren’t there. It’s the story of Flavia, autonomous and a bit uncouth; Flavia, whose mother works as a carer in Italy, her father on a construction site. She’s adopted a certain sarcasm she uses even with Luca, with whom she flirts in a cool way; the attraction is strong. Luca’s parents aren’t there either and his grandmother is frail, meaning he is the one more or less taking care of his sister Tina – who brings home two more kids with her one day. Fears of commitment and emotional blocks start to dissolve and, like in an adolescent novel, a self-chosen alternative family forms almost in passing, where living in freedom, critical relationships and taking care of one another are a given. Carried by Andrei Butică’s precise, yet loose-limbed camerawork and atmospheric direction inspired by Pialat and Rohmer, the adolescent ensemble takes on responsibility – and gets in the driving seat. Whether visiting caves in the forest or everyday life in a prefab block: their intelligence and vigour are delightful, the dynamics of their shared bonds subtle.
一个被灭族的小猪妖临危受命，勇敢挑起拯救部落的重担。在寻找净坛使者的道路上，他历经磨难，克服了一道又一道的难关，战胜了无数艰险，同时也找到了自信。最后在净坛使者的帮助下，凭借自己的力量战胜了妖魔鬼怪，完成了自我救赎。
