寒冷的十一月

Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement.
　　Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind.
　　Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.

1935年上海中共地下组织遭国民党特务重创，绝密档案危在旦夕。地下党员徐峰、李静临危受命，与叛徒、特务展开生死周旋，更要面对昔日兄弟反目的仇怨，历经重重牺牲与考验，最终成功取回绝密档案，完成革命使命。

母亲贾达为了拯救儿子免受白血病的折磨，不惜一切代价寻找合适的捐献者。

This terrific coming-of-age film tells a story of growing up largely without parents, of the complex world of becoming an adult when the adults aren’t there. It’s the story of Flavia, autonomous and a bit uncouth; Flavia, whose mother works as a carer in Italy, her father on a construction site. She’s adopted a certain sarcasm she uses even with Luca, with whom she flirts in a cool way; the attraction is strong. Luca’s parents aren’t there either and his grandmother is frail, meaning he is the one more or less taking care of his sister Tina – who brings home two more kids with her one day. Fears of commitment and emotional blocks start to dissolve and, like in an adolescent novel, a self-chosen alternative family forms almost in passing, where living in freedom, critical relationships and taking care of one another are a given. Carried by Andrei Butică’s precise, yet loose-limbed camerawork and atmospheric direction inspired by Pialat and Rohmer, the adolescent ensemble takes on responsibility – and gets in the driving seat. Whether visiting caves in the forest or everyday life in a prefab block: their intelligence and vigour are delightful, the dynamics of their shared bonds subtle.

《少年日记》是由90后导演李斌编剧导演，阿雨担任制片人，籍皓、苗若兮领衔主演的一部探讨家庭教育的青少年成长电影，该片入围了第14届孟加拉国国际儿童电影节主竞赛单元，第13届澳门国际电影节主竞赛单元等多个国际影展并获奖。
　　坏学生余铭成长于单亲家庭，身为外卖员的父亲经常对他实施家暴，妹妹小扣子是他的精神依靠。小扣子对于“自己是从哪里来的”有着奇怪的误解，保守的父亲对女儿的性教育难以启齿。余铭送给小扣子一本《儿童性教育手册》，却被父亲发现，迎接他的又是一顿拳打脚踢。
　　然而，一次意外事件将这个家庭卷入残酷的漩涡中：小扣子在独自放学回家的路上，竟然遭到恋童癖的袭击！
　　在一个看似平静的夜晚，余铭悄悄跟踪举止怪异的父亲，意外目睹了父亲杀死恋童癖的过程，他在离开时却不小心被父亲发现……

《江海儿女》讲述江海师范学校进步学生刘石钧（原型为南通籍著名革命家刘瑞龙）、女子师范冯菊芬等一批进步学生，与当地盘踞多年的反派势力斗智斗勇，从热血青年一步一步转变成骁勇善战的革命战士的故事。

致命TSJ病毒摧毁人类文明，加那利群岛侥幸躲过灾难，成为欧洲大陆幸存者最后的庇护所。一支小队受命重返危机四伏的伊比利亚半岛执行补给任务，心存私心的罗伯托加入队伍。任务迅速演变为一场残酷的生存竞速，小队要在丧尸潮与内部立场分裂的夹缝中挣扎求生，所有人都要直面终极抉择：保全自己，还是冒着一切风险守护残存的人类文明。