少妇恋情

简介：丹尼尔·雷德克里夫将参演动作惊悚片《困兽之斗》(Beasts of Burden，暂译)，瑞典导演贾斯珀·加斯兰特执导。影片聚焦一名试图运输毒品出境的飞行员，而他将面临四面楚歌的境地。

简介：

1858年的法国，一位年轻的农民女孩伯纳黛特在城市垃圾堆里看到了一位“美丽的女士”。她从来没有说过这是谁，但是镇上的人都认为她是圣母玛利亚。傲慢的政府官员认为她是疯子，尽最大努力压制女孩和她的追随者，教会不想与这件事有任何关系。但是，随着伯纳黛特越来越受到关注，这一现象影响了镇上的每个人，并改变了他们的生活。

简介：

卡桑德拉（凯瑞·穆里根 Carey Mulligan 饰）曾是医学院里前途无量的高材生，却因为朋友的自杀而选择了退学。白天，卡桑德拉在咖啡店里打零工，而每当夜幕降临，她都会换上一身性感的装扮，出没于城市里各间声色犬马的夜总会之中，她会假扮成醉酒的样子，等待着某个“善良”的男人将她带回自己家中，由此来实行她对于男人的无伤大雅的报复。　　一天，卡桑德拉在咖啡店里和曾经的同学雷恩（博·伯翰 Bo Burnham 饰）重逢了，雷恩之后开始了对前者的热烈追求。雷恩的出现再次勾起了卡桑德拉对于学生时代悲惨经历的回忆，当她得知曾经造成自己好友死亡的罪魁祸首们如今都过上了各自精彩的人生后，复仇的火苗在内心里愈演愈烈。

简介：被妻子抛弃的痛苦让警察弗兰克（阿尔·帕西诺 Al Pacino 饰）陷入了痛苦的深渊无法自拔，每日，只有尼古丁与酒精才能够给予他救赎。一宗谋杀案的发生打破了城市的平静，弗兰克和搭档舍曼（约翰·古德曼 John Goodman 饰）负责此案。通过种种调查，弗兰克发现凶手是一名女子，她通过报纸上的征友启事寻找猎物，之后残忍的将他们杀害。　　为了追击凶手，弗兰克伪造了自己的身份在报纸上刊登了启事，一个叫做海伦（艾伦·巴金 Ellen Barkin 饰）的女人出现在了他的面前。几乎所有的证据都证明了海伦就是案件的真凶，但此刻的弗兰克发现，自己竟然真的对海伦产生了依赖和感情，与此同时，危险也悄悄的来到了他的身边。

简介：

影片以重复加碎片式的感官叙事手法，讲述了年迈且身患疾病的安东尼（安东尼·霍普金斯 Anthony Hopkins 饰）正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中，安东尼发现自己仿佛进入了一场奇怪的时空之旅，错乱的记忆和时间线交织出一段段匪夷所思的故事，而一个个陌生又熟悉的人也让他陷入迷茫。影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。

简介：宋元一原本是一名普通的出租车司机，儿子宋跃因踢球腿骨折，昂贵的康复费让宋元一犯了难，谁料想醉酒乘客徐财神把里面含有大量现金的包落在了宋元一的车上。同一时间，快递员周几在屡屡投诉中失业。丢包的徐财神因为包中藏有犯罪秘密而心神不定，无奈几个手下办事不利，徐财神找到周几，并给他“所有的尊严与成就都来自于金钱”的错误灌输。就这样，周几和宋元一在寻包和藏包的追逐战中分别踏上了非正义之路。

简介：夏去秋至，在长野经营葡萄酒专卖店的松原辰平（役所広司 饰）百感交集将女儿送入婚姻殿堂。自妻子20年前过世以来，松原尽心抚养女儿长大，为此也曾放弃另一段爱情。而女儿的出嫁，似乎让这个坚强的男人体会到了情感的失落与凄凉。在此之后，他暂时放下手中的工作，前往京都拜访作家老友重 宗周吉（岩松了 饰），也见到了高中时代好友山边孝介（点点 饰）。受山边所托，松原前往夜店调查对方的女儿——也是松原女儿的好友——礼子（中越典子 饰）。礼子自幼暗恋松原，而这位初老的男人心中隐秘的情感似乎也正在复苏……　　本片根据井上晴的原作改编，为CBC开播60周年纪念作品。

简介：一个陷于困境的好莱坞制片人拿着《安娜卡列尼娜》的剧本去希腊小岛说服隐居的大明星费多拉出演——她以青春永驻的容貌创造了神话。然而制片人却发现费多拉被她的医生以及密友伯爵夫人近似虐待般囚禁，他想方设法帮助费多拉逃离小岛…………

简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

简介：半纪录片半传奇小说的电视电影。

简介：九州乱世，胤朝太师之女南星姿容倾城，在大婚前日却惨死于闺房，震惊东陆，引来各种族奇师的探查，内外纯钢的萝莉王钢偶然遇到离奇“复活”的南星，被一步步被带入神秘洞窟，卷入一团更大的阴谋。

简介：该片讲述塔卢拉从一位不负责任的母亲那里偷得婴儿后，当起假妈妈。佩吉饰演的塔卢拉无家可归，吃睡住皆在一辆货车上。而在华盛顿广场公园的戏份中，佩吉开始溺爱地照顾窃来的婴儿。