鹰击长空

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：　　阿翔和朋友们打算用修船出海来渡过在渔 港最后一个无聊的暑假。暑假过后阿翔就 要去上海上大学。阿翔暗恋的女孩兰兰突 然走红网络，去城里发展。出海的事被搁 置，爱情面临夭折。

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简介：在一座牛奶仍需在每个早上被递送的乡村小镇，一个名叫曼福特（洛伦·迪安饰）的心理学者倾听着周围每个人的述说。曼福特性格独特，留着一头孩子发型，总戴着领带，待人温和又率直。他向人们提的忠告即坦白又平实，却总是能达到使人宽慰的效果。“有些东西很叫人困惑，”他对一个病人说。当病人询问他所指何物时，他平静地回答：“生活。”

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悠斗和青山曾是一对恋人，而今却已断了音讯。随着青山不为人知的黑幕一一揭露 ，在地下俱乐部担任店长的悠斗，开始怀疑自己深爱的男人是否值得等待，对男公关流花的感觉也从同病相怜升华成更深的情感。一件神秘的性玩具，串起了悠斗、流花、青山和柴原四人的过往与现在。这时「雨与苏打水」某位男公关接客时一桩意外杀人事件，让地下俱乐部人心惶惶，在这个追求欲仙欲死的感官世界，真相即将大白……。

简介：母子相姦を描いた石坂洋次郎の同名小説を、松竹を離れフリーになった吉田喜重が撮った独立プロ第1作。松谷静雄は母・静香との二人暮らしのサラリーマンだが、幼い頃から静雄の父が胸を病み、病院暮らしが多かったためか、内向的な性格だった。静香は女手一つで静雄を育ててきたが、町の権力者・橋本と不倫の関係を結んでいた。静香と橋本は静雄に、橋本の娘・ゆみ子との結婚を勧める。“異母兄弟の結婚だ“と叫ぶ静雄だが、やがてゆみ子と結婚する。苦悩する静雄は母と関係を結ぶ。吉田はフォトジェニックな映像を使って、母子相姦を内向する観念として描いた。

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叶颖文（郑裕玲 饰）是一位精明强干闻名业内的大律师，方伟（万梓良 饰）则是检察院的高级督查，两人虽然身为情侣，却因为事业上的对立而常常产生矛盾。摄影师田迪文（林俊贤 饰）被控告强奸罪，对罪行矢口否认的他找来了叶颖文替自己辩护。方伟十分不满叶颖文的善恶不分，但叶颖文坚信，在事件尚未查明之时，所有人都是无辜的。 　　受害者是一位名叫凌祖儿（王祖贤 饰）的美丽模特，她的精神已经被案件逼迫到了崩溃的边缘。珊珊（刘美君 饰）是凌祖儿的妹妹，替姐姐打抱不平的珊珊设下诡计，想逼田迪文就范获取罪证，没想到聪明反被聪明误。案件的终审即将开始，在这个节骨眼上，叶颖文发现了足以推翻之前一切结论的重要证据。

简介：2001年戛纳电影节影评人周单元最佳影片奖　　2001年东京国际电影节最佳导演奖、评审团奖　　神学院学生赛耶德·哈桑即将升职做牧师，偏偏在就职典礼之前他的礼服被一个小男孩偷去了。于是他追踪到一个边远的郊区，那里的居民生活贫苦，从未见过牧师，对此知之甚少。最后，赛耶德学会了重要的一课：在宗教教义与艰难的生活现实生活存在着鸿沟，而这样的差异需要用情感去填补。雷萨-米尔卡瑞米导演在东京国际电影节致词时特别强调，他想告诉大家其实伊斯兰教是很爱好和平的宗教，而且也反对恐怖主义，并不是一种带暴力色彩的宗教。　　与我们同根同种的亚洲人拍的这片子里，处处使我觉得亲切熟稔。年轻人憨憨而不知所措的表情、学校长者官腔却不乏真情的训导、暗淡而陈旧的店铺、城市角落里最卑微的人群、缓慢的生活，这一切都像是我们自己在成长路上所经历所看见过的。　　他们多诚实，伊朗的贫困与落后历历地显现出来。可我敢说，这片子能打动的绝不止我一个人，也不止我们这些亚洲人。描绘贫穷而非展示贫穷，坦陈伤口而非哀矜伤口，伊朗的导演实在胜过我们某些所谓著名导演太多。

简介：The story offorty-something, out-of-work washing machine repairman Rudy. He decides to takeback control of his life after a bad patch, but he notices with bitterness thatthose he abandoned along the way are not ready to welcome him with open arms.While the demons from the past come knocking at his door, a chance encounter onthe Internet will change the course of his life.

简介：一个俄勒冈州的女人消失了。她留下了一支黑玫瑰和神秘的字条，上面写着：离去但没遗忘。更为神秘的是她的失踪和这张字条反映了多年前发生在纽约的一系列谋杀案。现在，一个男人被控告有罪；一名私家侦探失踪；一名警员知道的比这神秘女人还多；还有一名强悍的女律师陷入了一个充满奸诈、报复和多重谋杀的迷局中……

简介：2050年，某科学研究院立项了一个新型智能研究的“牡丹人”计划，通过公开选美确定了项目实验原型；但在研究进入到关键时刻，却发现原型被“调包”了，于是，一场关于阴谋与机智、贪婪与正义的较量正式展开…… 经过重重智斗，善恶得报，本以为事情已经结束；然而，一个躯体、两个灵魂，女主角又陷入了亲情与爱情的抉择……

简介：故事发生在1990年代女孩薇薇路遇他人斗殴，吓得慌不择路逃往盲人按摩师阿满的小屋，凶手郭铁循声追来。薇薇的求救声惊动了阿满，他将薇薇藏起来，与追至小屋的郭铁机智周旋。斗殴中受伤的郭铁因体力不支昏厥过去，阿满出于人道精神尽力抢救，苏醒后的郭铁非常感激。他以为打死了人难逃法网，于是托阿满将留给儿子的生活费转交给自家小保姆，为防阿满使诈，郭铁将薇薇扣作人质。阿满途中遭窃，幸得陈玉姑娘仗义相帮，继而找到郭铁之子及保姆，待几人返回小屋时，眼前的一切令大家惊呆了......