无人之境
6.0 |2025年10月22日 |正片
简介:

这是一部充斥着荒诞幽默并且酒精味儿十足的话剧作品:一个夏夜,两个老作家,赫斯特和斯普纳在汉普斯特德的一个酒吧里相遇,意犹未尽的他们又跑到附近赫斯特的家里继续边喝边聊。当这一对儿老伙计越喝越醉,他们的故事也变得越来越不可信,生动的谈话很快变成了一个揭示权力的游戏,事情随着两个年轻人的返家变得更加复杂……
  作为诺贝尔文学奖得主、当代荒诞派剧作家哈罗德·品特的心爱之作,《无人之境》于1975年在伦敦老维克剧院首演,后来亦曾邀请到作家本人首次登台饰演自己作品中的主人公。
  此次《无人之境》复排由西恩·马提亚斯(Sean Mathias)担任导演,自在西区上演以来,两位年龄加起来超过150岁的英伦老戏骨便博得满堂彩。“揭露了日常闲谈掩盖下的危局,直闯压抑的密室”,诺奖授辞这样形容品特式语焉不详中的真谛,《每日电讯报》和《旗帜晚报》则对这版《无人之境》给出了五星好

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简介:

三峡建设工作正在进行中的奉节县城,迎来一男一女两个山西人。   男人韩三明(韩三明 饰)来自汾阳,是名忠厚老实的煤矿工人,来奉节为寻十六年未见的前妻。前妻是他当年用钱买来的,生完孩子后跑回了奉节。寻找前妻的过程中波折不断,韩三明决定留下来做苦力一直等到前妻出现。女人沈红(赵 涛 饰)来自太原,是名沉默寡言的护士,为寻多日不曾与自己联系的丈夫而来奉节。丈夫与她的夫妻关系早已是有名无实,这点她虽然深知,仍想让丈夫当面给她个说法。沈红的找寻过程也不是一帆风顺,丈夫在有意无意地躲着她。韩三明和沈红虽不认识,却因为要做相对意义上的“拿起”与“舍弃”抉择,在冥冥之中有了某种神秘的联系。   本片荣获2006年第63届威尼斯国际电影节金狮奖。

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简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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