当世界分离
5.0 |2026年03月16日 |HD中字
简介:
本片由三个不同年龄层的爱情故事组成,分别讲述了三个外国人和一个希腊家庭两代人之间的爱情故事。每一个故事代表了一代人对于爱情的认识与看法,故事之间分别独立存在,通过整个欧洲的经济危机串联起来,最终三个故事变成了一个故事。  Sebastian是一个65岁的德国老头,在希腊雅典的超市门口遇见了一位遭受经济危机的55岁已婚妇人Maria,两人由一开始的互相抱怨到最后相爱相知只花了短短几周时间,但是彼此已经刻骨铭心,这段爱情注定只能在阴暗中生根发芽。
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午夜牛郎
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午夜牛郎
8.0
更新时间:2026年03月16日
主演:强·沃特,达斯汀·霍夫曼,西尔维娅·迈尔斯,约翰·麦盖沃,布伦达·瓦卡罗,巴纳德·休斯,鲁斯·怀特,詹妮弗·绍特,吉尔曼·兰金,琳达·戴维斯
简介:

生活清贫的牛仔乔恩(乔恩·沃伊特 Jon Voight 饰)从老家来到纽约讨生活,他自认为风流倜傥,因此想在纽约当个男妓混口饭吃。当他第一天来到纽约时,就在大街上勾搭女人。不料,人地生疏的他生意不成反而亏了20块钱。沮丧不已的乔恩遇到了专靠骗点小钱为生的里佐(达斯汀·霍夫曼 Dustin Hoffman 饰),里佐骗乔恩说他认识一个男妓集团的首脑,但要收20元作为中介费。最后里佐只是把乔恩介绍给了一个同性恋的皮条客,愤怒不已的乔恩随后找到了里佐。里佐收留了无家可归的乔恩,两人渐渐成了无所不谈的好朋友。 寒冷的纽约冬天,两人过的十分辛酸,以至于衣食无着,里佐也没有钱买药治病   里佐向往着迈阿密的生活,他邀请乔恩和他一起到迈阿密去闯世界。生活无着的两人这晚来到一家地下酒吧去碰运气,当乔恩终于搞到一单生意后,体力不支的里佐摔下了楼梯。奄奄一息的里佐此时最记挂...

4176
1969
午夜牛郎
主演:强·沃特,达斯汀·霍夫曼,西尔维娅·迈尔斯,约翰·麦盖沃,布伦达·瓦卡罗,巴纳德·休斯,鲁斯·怀特,詹妮弗·绍特,吉尔曼·兰金,琳达·戴维斯
冒牌刺客
729
9.0
HD
冒牌刺客
9.0
更新时间:2026年03月16日
主演:杨净如,韩朔,李肖宁,李明慧
简介:

苏兰和家兵是一对名副其实的\"笨贼\",除了整天想出一些稀奇古怪的盗窃计划之外,从来没有干成过一件事。木讷的家兵深爱着苏兰,对她的话惟命是从,可苏兰却一直不接受家兵。\r一天,两人打算到一所古旧的宅子里偷东西,却眼睁睁地看着宅子的主人----一对夫妻发生意外死在跟前,更可怕的是他们发现这对夫妻竟然是江湖上大名鼎鼎的杀手夫妇,男的绰号\"狐耳\",女的绰号\"猫尾\"。苏兰和家兵担心被人误会,决定溜之大吉,谁料刚走到门口,就迎面碰上一位前来拜访的客人。客人叫边靖,是城郊\"宝升煤矿\"的老板,他误把苏兰和家兵当成杀手夫妇,以二十万的价格请他们去刺杀张佑权县长,两人只好假装答应下来。\r送走边靖,苏兰和家兵决定赶紧逃走。然而第二天,两人却被人劫持了,他们被带到一座豪华的府邸,屋子里坐着的正是县长张佑权,而他的目的则是请两人去刺杀\"宝升煤矿\"老板边靖!原来张县长也把苏兰和家兵误认作是\"猫尾\"、\"狐耳\"夫妇。\r苏兰和家兵彻底傻眼了,他们其实连一只鸡都不敢杀,跑又跑不掉,两方各怀鬼胎,一场暗杀完全成了面对面的决斗。苏兰和家兵该怎样解决这个棘手的问题?张佑权县长和边靖老板的矛盾究竟根源于哪?

2205
2010
冒牌刺客
主演:杨净如,韩朔,李肖宁,李明慧
不安分的年轻人们
269
1.0
HD中字
不安分的年轻人们
1.0
更新时间:2026年03月16日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
916
1958
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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