喋血情路
6.0 |03月16日 |HD
简介:

医生舒偃月身怀六甲的弟媳被绑架,来人威逼偃月协助一个病人逃离医院——而这个叫武阳的病人是个命案在身的重犯,偃月只能照办。随之换来警方追捕、黑道追杀。偃月只能与武阳并肩作战,揭开谋杀、绑架案后的重重黑幕……

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芳心封鎖
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芳心封鎖
3.0
更新时间:03月16日
主演:Gila,Almagor
简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
798
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主演:Gila,Almagor
荣耀六十年
614
9.0
HD中字
荣耀六十年
9.0
更新时间:03月16日
主演:Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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主演:Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
跳出我天地
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跳出我天地
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更新时间:03月16日
主演:杰米·贝尔,朱丽·沃特斯,杰米·德拉文,加里·刘易斯,斯图亚特·韦尔斯,麦克·艾略特,黛比威尔金森,琼·海伍德,查利哈德威克,马修·詹姆斯·托马斯,史蒂芬·曼甘,帕特里克·麦拉海德,芭芭拉·雷吉-亨特,伊莫金·克莱尔,戴安娜·肯特,尼尔瑙兹,李·威廉姆斯,梅丽娜·肯德尔,佐伊·贝尔,梅林欧文,亚当·库柏,亚当加尔布莱斯,莎伦·佩尔西,戴米安温特希金斯
简介:比利(杰米•贝尔 Jamie Bell 饰)的家人是英国的一个底层矿工。他们参加罢工,挣扎在贫困的生活中,并认为比利应该学些男人的拳术。比利本来每周都去一回拳击班,偶然的机会却让他走上了不一样的路途。  因为一个小意外,比利发现了潜意识中对芭蕾的热爱,而挑剔世故的芭蕾老师威尔金森(朱丽•沃特斯 Julie Walters 饰)无意中发现了比利极具芭蕾天赋。二人一拍即合,威尔金森甚至放弃她的一班女学生,把全部心思放在培养小比利上。可是比利的家庭全然不理解儿子为何爱上女生的玩意。比利在家庭的反对下,痛苦的抉择。  然而大好机会就在当前。万一考上伦敦的皇家芭蕾学校,比利的芭蕾梦想将得到一个广阔舞台。比利站在一个十字路口,选择着他的人生。
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跳出我天地
主演:杰米·贝尔,朱丽·沃特斯,杰米·德拉文,加里·刘易斯,斯图亚特·韦尔斯,麦克·艾略特,黛比威尔金森,琼·海伍德,查利哈德威克,马修·詹姆斯·托马斯,史蒂芬·曼甘,帕特里克·麦拉海德,芭芭拉·雷吉-亨特,伊莫金·克莱尔,戴安娜·肯特,尼尔瑙兹,李·威廉姆斯,梅丽娜·肯德尔,佐伊·贝尔,梅林欧文,亚当·库柏,亚当加尔布莱斯,莎伦·佩尔西,戴米安温特希金斯
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