主要讲述的陈美琪饰演的Maggie晚上常因梦到《帝女花》里的情节而惊醒，后来遇画师毕长平（吴岱融饰），二人皆产生莫明的感觉，后得知大家的前身竟然是明朝驸马周世显和长平公主！可是maggie已经身为人妻，长平也和女友订婚，今世二人重遇，又将能否再续前缘呢？ 它是TVB的单元剧，只有40多分钟一集
新婚后的记者夏因搬进丈夫家里，因工作或心理不适一直无法整理婚前物品；同事自杀事件对她心理和工作都带来影响，夏因关注的问题不能公开发表，丈夫自行处置夏因的物品，对她的处事方式表示不满，家庭和工作的双重挫折，促使夏因以一个采访任务为由下乡。在农村夏因遇到一个和奶奶相依为命的小女孩小树，小树灵性的而不经意的催眠，让夏因窥见了自己内心深处的黑洞，这次下乡的奇遇让她重新审视自己的处境。
田部井淳子以“女性专属的海外探险”为口号成立了女子攀登俱乐部，1975年作为珠穆朗玛峰日本女子登山队副队长兼攀登队长，成为世界首位成功登上世界最高峰珠穆朗玛峰的女性。本片以这位代表日本的伟大女性登山家的真实故事为基础，讲述了她从首次登上珠穆朗玛峰的女性开始，到晚年与病魔作斗争，在被宣布生命将至的同时，直到去世前仍在登山的英勇一生。
为了追查绑架前妻的歹徒，一位刑警必须和前妻的现任丈夫携手合作。这对意外搭档能放下歧见，完成疯狂救援行动吗？
讲述的是陈秀英和母亲开设茶馆，太原总镇石须龙的儿子石伦闻其貌美率家丁来骚扰，仗势逼婚，陈母颇有武功，将他打跑，陈母欲追之，恰遇石的部将匡忠劝解。陈母见匡忠少年正直，引回茶馆，与秀英一见钟情。又因陈父临死时留下铁弓一把，遗嘱有人拉开，便以女儿嫁他。匡忠拉开铁弓，又与秀英比武，秀英甚为满意，两人订下婚约。石伦嫉妒，与父设计陷害匡忠发配边关，石伦又去逼婚，被秀英杀死，陈秀英女扮男装与母逃走，投奔太行山起兵讨伐太原，杀死石须龙，最后与匡忠阵前重逢，方得团圆。
A heartbroken man returns to the home he shared with his ex-boyfriend, where visceral memories force him to confront the fissures that led to their parting: when the 'casual threesome' they planned evolved into something more.
Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.
