出身贫民的印度女孩蔻茜(艾西瓦娅·拉杰什饰)从小热爱板球运动,立志要进国家队,却面对性别、出身及社会给予的重重阻挠,更难逃失败就要服从结婚生子的命运。这样一个人人都瞧不起的贫民女孩,最终会逆袭成为国家“宠儿”吗?
仲秋节前,小女儿做了一个梦,梦见逝去的母亲变成了鸽子飞在天上,她给父亲带来了两只鸽子,在与鸽子相处中,父亲开始回忆过往的时光……
儿子单晓阳失踪后,老单来到儿子生活的城市寻子。儿子的合租室友程文明经历了失恋失业,处于人生低谷;在寻找单晓阳的过程中,老单帮助程文明重拾信心,程文明对老单有了些许了解,但只是略知一二,老单又匆匆离开了。
因疑似抑郁症休学的莫筱迪被爸爸送回老家,经过和爷爷朝夕相处,由开始不习惯爷爷和山村生活到感受到爷爷深切的关爱、体验到山村生活的美好而痊愈准备复学时,却发现爷爷已身患癌症,莫筱迪决定留在老家上学陪爷爷。
房产商富豪佟国强之子因醉驾撞死了生活拮据的外卖员陈志发,自己也不治身亡后,佟国强与陈志发患有脑瘫的儿子陈多多相依相伴、互相温暖的故事。
乡下男孩王小杰和城里女孩何心琪都有着复杂的家庭,他们在一个夏天里相识并成为好朋友,两人收获了友情和成长,但又不得不分别。
本作描绘了一名医生,因一种围绕“废用身”——因瘫痪等原因已无恢复可能的四肢——的治疗方法,而一步步踏入在追求理想的理性与疯狂之间摇摆的危险领域。在某座城镇的日间照护中心里,一种突破性的疗法在老年人之间悄然流传:对患者进行废用身切除后,不仅“身体和心情都变轻松了”,甚至“原本严厉的性格也变得温和”,出现了看似积极的副作用。听闻此事的编辑矢仓察觉到其可能为老年医疗带来革命性变革,遂向开发该疗法的院长漆原提出出书邀约。然而,关于该照护中心的内部举报被泄露至周刊杂志,加之患者家中发生的一起事件,事态骤然逆转,真相逐渐陷入黑暗。 本片改编自久坂部羊的同名原著小说。
艺人经纪刘凯,在痛打企图潜规则的业界败类后,辞职自主创业,开办了一家专事COSPLAY活动演出的COSER经纪公司,并参加了全国最大规模的COSPLAY大赛。在经历了一系列的艰难奋斗后,刘凯率领着一群有梦的年轻COSER,夺得大赛冠军,实现了梦想。
Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.