云上日出

简介：讲波佬钟仔将细鬼因贪念而死在母亲兰寿宴上的故事告诉英超酒吧内各酒客，以警惕他们不要沉迷赌博。可是每天还是有人向他索取，令他极为反感，一次更因不胜其烦乱中押中了一只必败球队，从此被人奉为波神.英超老板车仔因生意不佳而兼职替赌球杂志波经写文章,由于过分投入，其妻波波提出离婚。对足球一窍不通的榕榕，乐乐和芳芳都来凑热闹，不料意外大获全胜。

简介：刘老四在女儿小时候给定了娃娃亲，女儿长大了却想反悔，王守田用刘老四二十年前的秘密做要挟。刘老四无奈进城，准备把女儿接回来结婚，结果一进城，他便发现女儿早已经有了男朋友小杜，而这个小杜就是进城把自己大鹅坑丢的人。刘老四一直借机想挤兑走小杜，带佳佳回去。中间却在大城市的酒吧，洗浴中心里频频闯祸。最后通过小杜一系列的表现，老四认可了小杜。就在这时，王守田知道老四有了新女婿，一怒之下带人追到城里，想要当众说出了秘密……

简介：1、炸弹人的开关　　大学生江草某日被同学织田拜托保管一个开关，据织田称，开关一旦被按下，藏在他体内的炸弹就会被引爆。（市原隼人、本郷奏多饰）　　2、轮回村　　在收到一封匿名邮件后，名记者原田来到铃音村——邮件上所提到的藏有“被诅咒的秘密”的村子实地探访，企图挖出劲爆新闻。（伊東美咲饰）　　3、生死问答　　一位上班族某日遭遇了“问答人生”，搭乘地铁、泡咖啡，开会都必须先做回答游戏，就连他的晋升或辞退都由答案正确与否决定。（石原良純、遊井亮子饰）　　4、午夜凶手　　白领绫香和室友诗织说起正在追求自己的人，说为了委婉地拒绝他，便想出要求对方做出点“让人吓一跳”的事。（相武紗季、鈴木亜美饰）　　5、志愿者降临　　家庭主妇喜多江某日在家中不意迎来一位陌生的“志愿者”久保田太太，对方开始只是帮忙承担家务活，后竟大有成为家庭重要成员的趋势，喜多江开始感到失落。（大竹しのぶ、高島礼子..

简介：公司惊现一条美女蛇令公司上下惊恐万分，但是其实一小职员与她坦诚相待，最终打动这条美女蛇

简介：一天，老师批评凯尔时无意提到了他父亲，他爆发了，将老师扔了出去，因此被法院判罚监禁在家三个月母亲试图用工作冲刷掉悲伤，因此整天只有凯尔一个在家。百无聊赖的凯尔开始用他的望远镜偷窥邻居们的生活：风骚的女仆勾引男主人；三个小孩整天在家看A片；整天剪草的神经汉捏死在自己花园里打洞的兔子；长得鼻直口阔的美女天天游泳练瑜加等等。凯尔渐渐发现在这些邻居中了可能一个隐藏的连环杀手，危险也随之而来。

简介：

方紫英的父亲生意失败后自杀，家道中落，方紫英去投奔表姐，却遭到表姐陷害，后被青衣社行动三组组长沈白露相救，从此，她就加入了青衣社，成为一名女特工，执行各种秘密任务，积极参与抗日救国。\r一天，沈白露命令方紫英前往汪伪政府控制下的上海，执行一项秘密任务，出于保密考虑，任务的具体内容将由上海那边的接头人当面布置给方紫英。\r方紫英到达上海后，看到接头人被捕，情况万分紧急，接头人给了方紫英一些暗示后服毒自杀。\r方紫英认真思考接头人给她的这些暗示，绞尽脑汁终于明白了这次要执行的秘密任务。\r那么，方紫英要执行的任务是什么？她能顺利完成吗？

简介：《美丽新世界》相貌平平的研究院尹石宇（柳承范 饰）从未想到，他的一个无心之举竟然引发了前所未有的灾难。在和女友用餐过后，他被一种神秘病毒感染，随即变得情绪极不稳定，破坏力惊人。在很短的时间内，病毒以极快速度蔓延，城市的街头被恐怖丧尸所占领……　　《天工开物》原本生产出来用 于清洁工作的RU-4机器人，在寺院服务一段时间后竟突然有了自己的意识，它了悟空性，超然解脱，令未来社会里过度依赖机器人的人类恐慌不已。机器人修理工朴道远（金康宇 饰）不愿相信眼前的事实，可是他的内心也悄悄发生着转变……　　《生日快乐》小女孩不慎打破了父亲收藏的黑8台球，惶恐的她打算在败露前网购一枚新的台球。两年后，一颗黑8模样的小行星向地球撞来，世界灭亡在即。

简介：The two best friends Karsten and Petra goes on a cabin holiday for skiing fun. Tough guy Petter is a good skier, and Karsten thinks Petra likes him more. Maybe he can prove himself if he competes in a ski jumping competition

简介：佐拉是个热爱生活的女人，与丈夫相识后度过了一段快乐时光也让她对未来有了憧憬，但婚后好景不长，丈夫开始出现暴力行为，而他和女儿却又关系亲近，所以离婚对佐拉并不有利，她深信那只会让她和女儿分离，无奈之下她只能默默忍受他的每次击打，而事实已经逐渐瞒不过周围的人了。为了生计，佐拉做着健身 房的清洁工作，在那里她遇到了看门大爷，但没想到的是这位大爷却是位功夫大师！在施以援手之后，佐拉决定向这个不会说法语的古怪老头拜师学艺，而这个老头更是模拟出她家厨房的环境教她招式动作。不断地磨炼后，佐拉的身手得以精进，她甚至有了帮其他女孩解围的勇气，但面对施暴者，面对和女儿未来的生活，她是否能让丈夫最终在离婚协议书上签字？最终的对决和考验还在等待着她！

简介：12名高中生被绑架并监禁在一个废弃的建筑物内，屏幕告诉他们，他们要亲身经历一场狼人游戏 rdquo；：在他们之中有狼人、村民、预言者、保镖、共有者、巫师和暴民等几个角色，按照游戏规则获胜的一方将会获得1亿日元的奖金，而在游戏过程中将不断有人被杀死。面对生存威胁，他们各有所图，究竟哪一方能胜出，致力于减少牺牲人数，想方设法逃脱的乾朱莉和相马葵最后成功了吗？

简介：13岁的少年雅各布(乔什·维金斯饰演)沉迷于重机车和摇滚金属乐，他种种叛逆和违规的行径使得CPS(美国儿童保护服务组织)带走了他年幼的弟弟韦斯(德克·加纳饰演)。韦斯被送走去和婶婶生活。意识到错误之后，雅克布和他情感疏远的父亲霍利斯(亚伦·保尔饰演)必须想办法负起责任来，让他们的生活步入正轨，这样才能把韦斯带回家。

简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.